Wednesday, May 17, 2017

A Conscious Author


When I first saw this question to this post, I panicked. I couldn't name a single female artist that influenced me tremendously. I mean, even when it came to directors - the people that I tend to pay attention to the most, my mind automatically started listing male directors. Not that I have anything against female directors, it just so happens that a lot of the directors that I admire happen to be male. So after scouring the web for female artists that I could really admire and whose work could potentially inspire me, a name suddenly popped into my head. I don't know how but the author of one of my favorite Young Adult series came up - Cassandra Clare. Cassandra Clare is the author of several trilogies and a series all set in an imaginary world called the "Shadowhunter World". On hindsight, it may seem like just another YA series but in this series as well as her trilogies, it features a female protagonist. I think that's why this world really resonates with me. It's basically Harry Potter but with a female lead. On top of that, there's also many other strong female characters. And though almost all the female characters are in romantic relationships, they all shine best when they're focused on an important situation. I think that it's hard to find book that do not have just one but several strong main female characters. In fact Cassandra Clare once said in an interview that "I wanted to make sure that every book passed the Bechdel test", which is pretty awesome to have an author who ensures that not only the books pass the Bechdel test, but also that the film and tv series pass the bechdel test as well. I think it's also pretty amazing that the series not only include several strong female characters but it features several characters in the LGBTQ+ community. Talk about diversity. 

Cassandra Clare saw a gap in a lot of the Young Adult series, most heroes tend to be male protagonists. A few examples of this are Percy Jackson and Harry Potter. And even when there was a female protagonist, more often than not she is the only female protagonist like The Hunger Games trilogy. So Cassandra wanted to fill that gap in her series by putting multiple female heroes. Though there are times in the books when the female needs saving (I mean who doesn't every once in awhile), it's hard to ignore that by the end of the book, the female hero ends up saving the world. The films and some of the book got pretty harsh reviews, but no one can deny that these books have that female voice that we have all been waiting for. Of course it can use some improvement as the books talk about some pretty heavy topics that seem to be taken lightly in the actual books themselves, but there's always room for improvement. Nonetheless, Cassandra Clare started to pave a road for many future authors to follow.

Works Cited:
-Cassandra Clare on the Bechdel Test: https://www.themarysue.com/cassandra-clare-interview-sdcc/
-Why Cassandra Clare is Important: https://medium.com/legendary-women/why-cassandra-clare-is-super-important-to-ya-fiction-8de5a28b1c2

Saturday, May 13, 2017

Final Project: Gender Equity In Islam

R

Hot Girls Who Go To Galleries

Hot girls, Click Here!

If you just got click baited, #sorrynotsorry. The original intent of my whole project, my instagram account, was to create a smoke screen with a pretty catch phrase. "Girls Who Go to Galleries" was oriented to drag all different sorts of people on the internet who were looking for beautiful girls to look at, but instead of stumbling upon a feed of typical pretty girls, they would be bombarded with art that spreads vulgar messages. To fit the theme, I had to have a girl in the photo next to the piece of art, but facing it instead of being in front of it. My intention was to have the person facing the art seemingly give his or her interpretation of it, captioned down below.

There's me, posing in front of Judy Chicago's "The Dinner Party" as if I am interpreting the art.

Curating art to be on my 'gram was my favorite part of this whole entire project. Fitting the theme of all the topics we learned this semester, I chose feminist art, and art pieces from women artists. I went around New York City, going to the New Museum, Brooklyn Museum, and the MoMA. I found so many pieces of art that was just so dark and vulgar. Anger was a constant theme, and Carol Rama created art based on anger caused by the tragedies of her life. Many women felt angry that they weren't treated with respect or weren't even taken seriously. It was Carol Rama's art that led me to believe artworks that usually speak loudly and boldly to us were built upon factors of anger and sadness. Feelings that climb out of these pieces of art into art viewers. Throughout my whole trip, if I felt that a piece of art did not make me uncomfortable, then the artist's intent was too subtle for me. I preferred something more strong and bitter.
"Porn Grid" Marilyn Minter, 1989

"Seduzione" Carol Rama, 1982
Finally, I chose to visit a local artist in the East Village. Ironically, I met the artist, Seth Foss, on instagram, and he was kind enough to let me visit his gallery and visit his "Gender" series. I had the easiest time writing my interpretation of his art because of the direct connection I had with him. His art was so dark and empowering, speaking about how religion and sexuality play out together. At the end of our meet, he posed in front of his own art and I wrote down his intent in why he created the "Gender" series.
Seth and his artworks.

The most difficult part of this project was to filter out certain art pieces. Although I saw a lot of art, I could've easily uploaded a hundred photos of different art pieces. But, I settled with what I chose because those were artworks that shook me. They transformed me and made me so uncomfortable, making me feel so raw and disgusted at the same time. But, good art is never subtle art. Why be subtle when we are angry and responding to misogyny and political crisis?






Feminists in New York

Claudia Fareri
Women and Media
Doris Cacoilo
13 March 2017
Feminists in New York #FONY
My name is Claudia Fareri and for my final project, I created an instagram Feminists in New York as well as a PowerPoint for my women and media class. This instagram account captures feminists in New York and their experience with feminism. I based my instagram on Humans of New York, the project created by Brandon Stanton in 2010. Stanton photographs people and includes a quote from them alongside the photo. In the same fashion, I chose to create my own instagram for my project because personally, I enjoy learning the stories of others and and hearing what they want to share with the world.


Everyone has a voice and the right to share their story with the world. In a world dominated by patriarchy, it is especially necessary for women to have their voice be heard and show that they matter just as much as any other male. 

For the last three weeks, I took pictures of people from various backgrounds and ethnicities, and asked them three questions: 1) Why are you a feminist? 2) When was the first time you've recognized your resonance with feminist thinking? 3) When has there ever been a time where you have felt powerful by being a feminist? These three questions helped break the ice and ease into a conversation about their experience with feminism. 

While it was a bit awkward at first to get into someone's personal space and photograph them, the outcome was worth while. It was enlightening to hear how other people identify with feminism and where their support is rooted from. I felt proud for being the bridge between feminists and the rest of the world and being a platform for them. While everyone had their own individual story, they all stemmed from the single point that men and women should have equal rights and opportunities. 

Initially, I only wanted to include females on my instagram but after a second thought, I realized that not only females are feminists. Feminism comes in many ways, shapes and forms which is why I included anyone and everyone who believed in it.







Do You Really Need This?

As my time on the internet increases, I start to see a change in many things. First, there's a lot more stupid people out there than I could've imagined and I'm afraid that the number of idiots are only increasing. Second, there's been an increase in advertisements - like a dramatic increase. As a person who hopes to create content in the future, either for myself or for a company, I don't put ad blocker on. I understand that there's a lot of people making money because of the ads that are around their content. And since it's free for me to watch them, I normally just let them play. But while I see an increase of ads, I see a direct increase on the amount of material things that one possesses nowadays. I spend a lot of my time looking up beauty videos on YouTube; and as I see so many people, particularly women, just hoarding (like actually hoarding) beauty products - I can't help but wonder why. Sure I could've done my project researching numbers and how the beauty industry affect women but I decided to go a different route.
For my semester project, I decided to watch many beauty product ads and see how they try and sell product. The key? They all promise you different things. I focused on three ads: one from Maybelline, one from Rimmel and one from Covergirl. I twisted the words they were using in the commercials to make my own. I tried to expose what those commercials were selling, hoping it can be an eye opener for others. I tried to be everything they weren't - a lot more truthful, sarcastic, humorous and I even used a team of diverse women.
Maybelline Commercial
Rimmel Commercial
Covergirl Commercial

EXPOSED - shady work

I have been working in the restaurant industry for more then 5 years. For my end of semester project i decided to create an Instagram account , mediashady17
My main focus was to shed light and inform my coworkers about the dynamic relationships between Female vs Male go workers as well as costumers.
I stared talking to. Each co worker alone and see where he or she stands on the problem at hand. This was to see if they are aware of the difference in treatment and daily job expectations. Most of them had no idea what feminism meant. I had one of the Spanish speakers  that spoke well English try to translate it but they still didn't know, Also those that had an idea or have heard of the word before said oh yea
"Those girls that do not want to shave " "the girls that want to dress like a man and have short hair". This showed me how hard of a job i am In for

The first step i had to take was try to talk to them daily and ask him how a male treated them in contrast with how a woman treated them. This was regardless of weather it was a coworker, or a manger or a costumer.

They send me pictures as well as i took some. But most of the pictures where just random that they couldn't give me a story behind it. So the Instagram started of slow but it  is growing. Each picture will have a story and a narrative
Where is all starts
This illustrated how important the things i have learned are to be shared.
It was also eye opening because it mad me realize how many restaurants are in city
How many of them have a dominate Hispanic work force, and this work force is the hardest working but are not aware at times of the issues that they and their families may be facing


2.0 Exposed

Semester Project - #StarringAsianActresses

Mina Youn
Media 384
Prof. Cacoili
May 13, 2017


For my semester project, I’ve written an essay on the whitewashing and racist practices against Asian Americans in Hollywood, titled #StarringAsianActresses (and accompanying slideshow), as a tribute to the social media campaigns #StarringJohnCho and #StarringConstanceWu that have reimagined Hollywood movies with these actors as the main leads.

A social media campaign re-imagining Hollywood movies starring Constance Wu.
A fan created poster of Easy A shows Constance Wu replacing Emma Stone who drummed up controversy by being cast as a quarter Chinese, quarter Hawaiian woman in the film Aloha.
In my essay, I cover a bit about my own experiences growing up as a Korean American girl with a lack of understanding of Asian representation and diversity. I also address issues such as the lack of Asian American roles in television and media and the whitewashing of original source material that features Asian characters in Hollywood especially.

Scarlett Johansson as a Japanese cyborg named Major Motoko Kusanagi, based off a Japanese anime manga and anime film Ghost In The Shell
By writing this essay, I’ve started a blog called Youn Sistars which I hope to collaborate with my sister in documenting our experiences living as Asian Americans in New York. Hopefully, I will be able to reach young Asian Americans and spark a dialogue that will help bring more awareness to this critical lack of Asian American representation in media. I hope to reach Asian American artists, film makers, aspiring actors and other media makers to try and collaborate in creating content and art that will inspire others like us, where we can ultimately encapsulate all our unique and individual experiences as Asians in America. 

Friday, May 12, 2017

Dress like a woman

Kianni Johnson
Women in Media
May 11, 2017
This is how we DRESS LIKE WOMEN!

            For my project, I created an Instagram account; @DRESSLIKEA.WOMAN, illustrating the many ways to “dress like a woman.” As we briefly discussed in class, there was a news report in February, where Donald Trump said he wants his female staffers to “dress like women; even if you’re in jeans, you need to look neat and orderly.” Consequently, the many women who worked on his campaign felt pressures to wear dresses, to comply with view of woman. Since then, there has been a hashtag #Dresslikeawoman on social media, rejecting the idea that women should be restricted to some narrow sartorial category. Therefore, my account utilizes that hashtag and others, to demonstrate the many ways a woman can dress.
            My Instagram features many different things but the main focus is women who do not comply with Trump’s idea of what women should be dressed like. As well as, specific women who may work at a job that is something “a woman shouldn’t do.” An example of this would be a member of the Marine Corp. Women’s Workforce in the Marines have come a long way. By the height of the Vietnam War, there were about 2,700 women Marines both stateside and overseas. By 1975, the Corps approved the assignment of women to all occupational fields except infantry, artillery, armor and pilot/air crew. According to the 2012 demographic report, women make up 7.11% of the Marine Corps. They are integrated into nearly all Military Occupational Specialties. They serve globally and proudly carry on the traditions of those first trailblazers as they continue to open doors for future Marines to follow.
            Another goal of my Instagram is to display other positive images/resources that young children can relate too. In 2016, Barbie came out with a “You Can Be Anything” campaign, #Youcanbeanything showing girls that they can become anything they imagine, no matter their gender. Ruth Handler, the creator of Barbie said, “My whole philosophy of Barbie was that, through the doll, the girl could be anything she wanted to be. Barbie always represented the fact that a woman has choices.” This was beyond amazing to me. There is also a phenomenal video on the Barbie website, which I found very inspiring. Barbie does a phenomenal job demonstrating many different careers and overall showing girls that if they can imagine it, they CAN become it. The possibilities are endless!

Here is my powerpoint I will be presenting from: 

Patriarchy Set the World on Fire Zine

Tiffany Gamboa
Media 384
Doris Caçoilo
May 2017

Patriarchy Set the World on Fire Zine

          Hello, my name is Tiffany Gamboa and I decided to make a zine as a final project for my Women and the Media class. Here is the link to the online PDF of my zine, Patriarchy Set the World on FireIt has always been a desire of mine to make a zine, and I decided why not make that dream come true with this project. Originally, this project was designed as a way for my family to understand what patriarchy is and the profound effect it has had in our lives. However, as time went out, I decided to make myself the audience. If I were to teach someone else, something so complex, I would first have to understand it. This project has allowed me to gather the courage to identify as a feminist. Previously, I had considered myself far from one, because I did not feel educated or radical enough to be a feminist. I had so many misconceptions about feminism that I chuckle to myself every now and then about how misguided I was. The zine is a great way for people to get a head start into understanding what patriarchy can be about and how they can begin to overcome it with some feel-good feminism. 
         The process of my zine was a long and strenuous one, but it worked out in the end. I admit that my original project proposal is different from what I have now. Originally, I wanted to put together a magazine, but instead opted for a zine. Zines are smaller and easier to carry around, which will be great for my readers to take and read. They can read it in the park, on the train, at home, etc. I also decided to make it a bit interactive by incorporating a coloring page, word search, and a blank page for them to take notes on. I formulated the zine in a way to keep the audience engaged by also adding pictures and a meme I created. A majority of the photos used were found using google images and Pinterest.  However, I did edit a lot of them using Adobe Photoshop. Although, I wanted it to be a surprise for when I present, here are some the images that I used in my zine. The rest of the images could not be uploaded, due to different file formats. 

I decided to use this as the cover to show the devastating effects Patriarchy has had on people like me.



Roll safe Meme that I edited with Imgflip.


#Preach

'Vag' coloring page my friend, Ellie, found on Pinterest.
Before

After- edited with Photoshop



           The zine itself was created using Microsoft Word, since it offered templates to create books.  Instead of tackling through various topics as I originally wanted to, such as sexism through advertisements and the exploitation of women, body issues, and gender, I thought it was best to focus on two topics for my first zine. However, I definitely want to create more zines, especially one devoted to deconstructing sexism through advertisements and the exploitation of women. 
           A majority of the content from my zine came from Bell Hook's Understanding Patriarchy and Jessica Valenti's book, Full Frontel Feminism: A Young Women's Guide to Why Feminism Matters. Bell Hook's explanation of patriarchy is straight to the point and her childhood examples of the negative effects of patriarchy has resonated with me. What I appreciate about Valenti's book is how she can make the necessity of feminism applicable to almost everyone. She writes in a reassuring tone which has helped me to become more confident in myself as a feminist. It's because of her that I am able to overcome my hesitation of admitting that I am a feminist. A big thank you to Professor Doris who has guided me on this journey to finding feminism and for giving me the book and content to find my way.


Works Cited

Hooks, Bell. Understanding Patriarchy. Lousiville,KY: Louisville Anarchist Federation, 2010. Print.


Valenti, Jesica. Full Frontal Feminism: A Young Women's Guide to Why Feminism Matters.      
           Emeryville, CA: Seal, 2007. Print.




American Muslim

Hussein Farraj 
Media 384
Prof. Caçoilo
May 2017
Summary: 
Due to the endless involvements in the Middle East, America has a particular look on the faith of Islam. I've experienced islamopocbia with other Americans in my day to day life. One particular problem that I have with America, are the countless  bias statements made about Islam being oppressive towards women. I ended up making a website in a story fashion kind of way abut my mother and sister. In my world, I learned the faith through my mother and sister in countless lessons that I still get today. Forming trusting relationships that I use for advice or guidance. The link below is a website dedicated to my mother and sister by telling a story through images and recordings. Here is just a taste of what goes on between my view of religion and the outside worlds involvement.
Content: What I used
-Photoshop: altered images that I've take.
-Vimeo: interview of my mom.
-Html, CSS, and Javascript: was used to build the website.
-Premere Pro:-editing the audio and film files.
-Ilustratur-making the allah image. 
Work Cited:
Hussein Farraj's mom(Ibtesam) and sister(Hasnah).


Here is the link to my webpage: Enjoy!
http://fmundergrad.hunter.cuny.edu/~farrajh/myrolemodels/sites/index.html

Some Thoughts on Ageism and How Feminists Can (and Should) Do More to Oppose It

Tom Ranocchia
Media 384
Prof. Caçoilo
May 2017

What follows is a summary of my essay. For the full essay and some spotlights on women who are standing up to ageism, plus a complete bibliography, please see: https://ranocchiatom.wordpress.com/2017/05/11/93/

For my project, I have chosen to write an essay, for my personal blog, on the topic of ageism. It’s not a glamorous topic and that’s part of the problem.  It gets sporadic media attention, for example when a celebrity speaks out about her personal experience of it – and yes, it’s always a “her” - but it’s not constantly in our sights and that’s another part of the problem. And, if the topic of ageism makes you feel a little squeamish, because ageism relates to OLD people and their OLD bodies and OLD faces, well, you’re definitely not alone and that’s part of the problem too.

I would like to see my essay reach young feminists, who have not really considered the issue of ageism. I hope this will give them something to think about.

I started looking at ageism with a naïve view of it. I connected it simply to the idea of job loss and most often associated it with the world of media where appearance is paramount. This week, for example, an actress, Jamie Denbo, tweeted about being rejected for a part because she was considered, at the age of 43, to be too old to play the wife of a 57-year-old. This is an example of both ageism and sexism and it should not be trivialized.

However, my reading led me to understand that ageing is a complex issue and one that is deeply embedded in the fabric of our society. Of great surprise to me is the opinion, which is quite widespread among gerontologists, sociologists and feminist scholars, that feminism has let down older women with regard to ageism. This seems strange and unacceptable, right?  Yet the case they make is a strong one. My blog post looks into this and in addition, proposes ways in which young feminists can change the situation.

Let’s start with:

Why Should We Care About Ageism?

We should care because discrimination based on age is rampant in our communities and it takes many forms. Ageism occurs because our society values youth, privileging the young at the expense of the old, and creating inequality that clearly intersects with that based on race, class, gender and sexuality.

In old age, people lose authority, status, and usually income. They are marginalized and are vulnerable to violence, exploitation and cultural imperialism. (Laws) They are frequently patronized or denied their autonomy by those with whom they have contact. And a form of cultural imperialism that emphasizes youth and vitality undermines their positive contributions. (Calasanti 2006, 18)

We should care because of the unfairness with which these people are treated and because we will one day join the group – if we are lucky – that we currently discriminate against. Without change, what happens to the elderly today, will be our fate in the future. 

This brings us to:

Why Should Feminists, In Particular, Care About Ageism?

While ageism affects both men and women, the situation is clearly much worse for women who suffer from a “poisonous nexus of sexism and ageism that disempowers [them] as they age” (Byrski, Loc 51) We are all aware that in today’s society male power resides in money, status and authority while the reality is that women are often valued for their appearance and youthfulness. As their looks fade, their “power” diminishes and they become less “visible”. In addition, they are often cast as becoming moody, depressed and emotionally unstable. (Byrski Loc 69) As they age, they are also frequently encouraged – or flat out pushed – into the role of servant to their families, for example looking after grandchildren, a role promulgated in the patriarchal family.

This last point is very important because it requires young feminists not just to consider ageism as it intersects with sexism, racism and other categories of oppression, but to view it in terms of their own privilege of youth. Yes, young women operate within a system constructed by men, but are they actually complicit in treating older women as invisible or as sources of unpaid labor for themselves and their families? (Macdonald 122)

If feminists will not tackle these issues and advocate for older women who are oppressed by ageism, who will?

I was very surprised at the lack of feminist inquiry regarding ageism. Extensive Google searching brought up mainly books and articles written years ago. Information on websites tended to be shallow jottings on subjects like “how to talk to older feminists”  (which basically recommended asking them questions about when they were young – a strategy that to me seemed ageist in and of itself – how about asking about their current life?), and discussions geared to the ageism faced by women in their forties and fifties.  There was little to be found on the issues facing much older women. My experience on this is supported by gerontologists and sociologists who have noted that feminist scholarship and cultural discourse have tended to focus on younger and middle-aged women and on the process of ageing rather than tackling the issues facing old age head-on.

So,

Why Does Feminism Neglect Ageism?

Many of the key issues to which feminism is devoted, including reproductive rights and female independence tend to align more naturally with a younger movement. However, in addition to this it must be added that young feminists, like most people, are typically afraid of getting old and want to remain separate from that which scares them. There is also consternation about whether the ageing female body should be the subject of study. Does it demean older women to focus on the biological factors of ageing, rather than just the social and structural factors? And yet, to focus entirely on age as a social construct can be very damaging to older women.

Which leads us to look at:

Perspectives on Appearance and Aging

One of the most interesting articles that I read is called the Seductiveness of Agelessness by Molly Andrews.  Andrews scrutinizes several theories of ageing, two of which I will mention here:

One theory suggests that the elderly can age “successfully” if they engage in an active, fit lifestyle. This raises a number of questions: What if you don’t have the financial resources and leisure time necessary for this “successful” lifestyle? What if you have a disability? Or prefer to read rather than take up tennis or golf? Are you then “failing” ageing? And doesn’t “ageing successfully” just mean that you are willing to conform to the expectations of our youth-obsessed society? 

Another theory, “the mask of ageing,” assumes that there is a distinction between our outward appearance and our inward “real selves.” You are only as old as you feel is the catchphrase. Andrews takes this to task for pushing onto the elderly – women in particular - the idea that they must try and “pass” as being part of a younger, more youthful group. It further pushes women to set themselves apart from others of the same age, meaning that they too engage in ageism by declaring that while others around them are old, they are actually still young.  This destroys the dignity of the self and replaces it with a secret self-loathing, and it is ultimately bound to fail. (307)

 The Media and Aging

My essay discusses how the media is complicit in discriminating against older women, with a lack of representation in film, television (although TV shows signs of improvement) and advertising.  Yet it is a simple truth that seeing ourselves, and our lives, reflected in the products of popular culture is important – it is a form of flattery that makes us feel acknowledged and included. For older women, the lack of representation is yet another sign of invisibility and powerlessness. In some media forms the situation can be even worse as it is deemed acceptable to shame older women. Take for example a widely read “news” and entertainment site such as dailymail.com which dissects the appearance of older women on a daily basis. They may be shamed for gaining weight or looking tired or, if they are looking good, they will be analyzed by “experts” to determine what “work” they might have had done. The wife of the new French president, Brigitte Trogneux was dissected in this way in an article this week that suggested that “extensions, veneers and some very subtle plastic surgery” keep her looking youthful. (Daily Mail)

It appears to be a no-win situation for older women.

So What Can Feminists Do?

In order to change the status quo here are some ideas:

1.     Feminists need to understand that we can no longer “write of gender, or generalize about ‘women’…as if they were all middle-aged or younger any more than we can assume they are all white, middle class, or heterosexual” (Calisanti, 25)
2.     Feminists need to be very aware of the privilege that is granted to them by their youth and be careful not to use this power to take advantage of older women.
3.     Feminists need to REALLY listen to the old and the stories of their lives, not just as younger people, but as they are now. We must be open to hearing about all of the intersections of oppression that they face due to class, race, gender, sexuality and age.
4.     Feminists should reject theories of ageing that deny the existence of age or ask the old to simply mimic the young. We should encourage the old to see that there is value in the years they have lived and we should appreciate that value.
5.     For those who are involved with media, there must be a constant push against producers, editors, publishers and curators who cannot see beyond the culture of youth.  And,
6.     Feminists must strive to see positive content and representation of older women across all media platforms.