Ekaterine
Kervalishvili
Professor Cacoilo
Media 384
25 February 2017
On
Ways of Seeing/Viewing
Women in media today are often
portrayed from the masculine perspective, they are presented as object to
pleasure men. Laura Mulvey called this representation of women male gaze.
Mulvey coined the term in 1975 however it is as prevalent in today’s pop
culture as it was then. Mulvey in her essay “Visual Pleasure and Narrative Cinmena” argues that women in
Hollywood cinema are often portrayed as objects, women are denied their
identity and are only presented for the pleasure and inspiration of the men.
Mulvey argues that for the most part Hollywood cinema are targeted towards
heterosexual men, they are regarded as default target audience. The
misinterpretation and objectification of women are rooted in the patriarchal
ideology of the society. According to Bell Hooks patriarchy is a social
disease. Patriarchy represents the idea that men are inherently more superior
then women. It assigns specific gender roles to both men and women and places
them in certain boxes in the society. The way women are misrepresented in the
media is the result of patriarchy which creates gender inequality. Women in
popular culture are often sexualized and objectified. Little focus is on their
identity and character, mostly it concentrates on their looks. Berger in his
essay Ways of Seeing argues the
oversexualized images of women in the media are culturally central today. These
images reassure men of their sexual power and the same time deny women their
sexuality other then what is constructed by male viewers.
The depiction of women from the masculine point of view in
the media has detrimental impact on the society in general. It supports and
feeds patriarchal ideology and further creates stereotypes and places
limitation on women. Hollywood and pop culture today often cast women as an
objects to be looked at, they are told by the patriarchal media that women are
sight a vision that should serve as an inspiration for the men. Mulvey stated
that women in the film often have two functions, to serve as an erotic object
for the male character and to serve as an erotic object for the men in the
audience.
Berger in Ways of Seeing stated: “Men act and Women appear. Men look at women
and women watch themselves being looked at these determines not only most
relations between men and women but also relation of women to themselves.” (p.47)The
masculine representation of women effects how men look at the women on screen
but also how women look at themselves which lead to not only objectification of
females by men but also women objectifying other women. Male gaze devalues
women worth on screen, it suggest that women can only exist in relation to men
therefore stripping them of any kind or importance. The examples of male gaze
are often present in the advertisement where females are represented as overly
sexualized object in order to sell product. Films such as transformers are also
an example of masculine way of portraying women in film. Female lead in the
film has no meaning other than being an inspiration to the male lead. Men saves
the planet and she is the prize that he gets. Women is treating like a
possession that he acquires.
As oppose to male gaze, oppositional gaze is the way black women are represented in the media. The phrase was developed by Bell Hooks in 1992. Hooks argued that black people women in particular are often misrepresented in the media or not represented at all. Black women where often represented and transformed into white women on screen which further supported the idea of white supremacy. Hooks stated that because of the misrepresentation many black women would protest by not watching the films. Hooks said: That some of us stopped looking was the gesture of resistance, turning away was on way to protest to reject negation.”(121).The oppositional gaze is the direct response, rebellion to misrepresentation, and the lack of representation of black women in general in film. Black women were objectified not only by men but also by white culture. They were denied voice and authenticity in their representation. However as women they were also victims of male gaze, and the rules of patriarchal society.
As oppose to male gaze, oppositional gaze is the way black women are represented in the media. The phrase was developed by Bell Hooks in 1992. Hooks argued that black people women in particular are often misrepresented in the media or not represented at all. Black women where often represented and transformed into white women on screen which further supported the idea of white supremacy. Hooks stated that because of the misrepresentation many black women would protest by not watching the films. Hooks said: That some of us stopped looking was the gesture of resistance, turning away was on way to protest to reject negation.”(121).The oppositional gaze is the direct response, rebellion to misrepresentation, and the lack of representation of black women in general in film. Black women were objectified not only by men but also by white culture. They were denied voice and authenticity in their representation. However as women they were also victims of male gaze, and the rules of patriarchal society.
Understanding the male gaze and oppositional gaze gave me
better understanding of the inaccuracy in which women are often portrayed in
the media film. It clarified how much of our society is still governed by the
rules of patriarchy and male dominance. Women right have come a long way
however there are still a long way ahead towards equality.
Sources:
1.
Mulvey, L. "Visual Pleasure and Narrative Cinema." Screen 16.3
(1975): 6-18. Web.
2.
Berger,
John. Ways of Seeing: Based On the BBC Television Series With John S Berger.
London: British Broadcasting Corporation and Penguin Books, 1972.
3.
Hooks, Bell.
"Understanding Patriarchy by Bell Hooks." Arizona. N.p., 25
July 2004. Web. 24 Feb. 2017.
4.
Hooks,
Bell (2010). The oppositional gaze : Black female spectators. In Marc Furstenau
(ed.), The Film Theory Reader: Debates and Arguments. Routledge.
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